Archive for December, 2008

My biggest musical disappointment in 2008

DistortionOne last 2008-in-review post.  Sadly, it’s to mention my biggest musical disappointment of the year, the Magnetic Fields’ Distortion.  Yeah, everyone else seems to love this album.  But honestly, I just don’t get it.  I love the Magnetic Fields, have been listening to them for well over a decade, and I actually like their last album, i, quite a bit more than critics seemed to.  Furthermore, as anyone perusing this blog can guess, I’m a big J&MC fan, so the idea of Stephin Merritt doing a bunch of noisy pop songs sounded heavenly.

But Distortion just isn’t that good.  Not so much bad as mediocre, it lacks any real standout tracks to break up the just-okay ones, a situation further exacerbated by the sheets of noise inexpertly slathered over everything, further blurring the songs together.  Merritt is (correctly) celebrated for his wit, but here it largely fails him — the lyrics to “California Girls”, “The Nun’s Litany”, and “Zombie Boy” aren’t very clever and lack bite, leaving “Too Drunk To Dream” the only real example of Merritt’s gift for deadpan lyrics (and that song, in turn, suffers badly from muddy distortion obscuring its melody).  The slower, melodramatic material does work better — “Old Fools”,  “Mr. Mistletoe” and “Drive On, Driver” are all quite good, and use their noisy backdrops to better effect — but they badly need quality lighter material to balance them out, and without it, the album’s sequencing is thrown completely out of whack.

This is especially a problem at the end of the album.  It closes with Distortion’s single most devastating track, the spare, heartbreaking “Courtesans”.  But before this, we have the dullest stretch of the record: the dirge-like “Till The Bitter End”, the okay-but-not-great “I’ll Dream Alone” (another good song sabotaged by overdoing the feedback), the rather inane “The Nun’s Litany”, and the flat-out retarded “Zombie Boy”.  By the time “Courtesans” shows up to weave its subtle charms, I was  bored and worn out, and it took me five or six listens to the album before I even noticed that the last song might be worth paying attention to.

When I add it all up, I come up with five good-to-great tracks, another four that are either enjoyable or at least inoffensive, and four that I really dislike.  That doesn’t really seem like a bad ratio, but to adapt Howard Hawks’ famous quote to a different medium, a good album is three good songs and no bad songs.  And although I tried desperately to love this album, I ultimately gave up on it.

p.s. I don’t really care that much for that Vivian Girls album either.  I just don’t seem to agree with anyone this year.

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“Method Of Modern Love” sample posted

Via Chart Rigger, Popjustice has posted a 30 second sample of Saint Etienne’s forthcoming single, “Method Of Modern Love”.  Wow, this sounds fucking fantastic!  And after the lush pop of their last album, it’s great to hear Saint Etienne doing a straight dance cut again — “Method” just shot past the upcoming Doves album as my most anticipated release of 2009.

Now, will somebody please please please get at least a few of these recent Saint Etienne releases out in the States?

Saint Etienne

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Freddie Hubbard dead at 70

Freddie HubbardJazz trumpeter Freddie Hubbard passed away yesterday, December 29th, at the age of 70.  In his heyday in the 60’s and 70’s, both as a sideman and a leader (his 1962 album Hub-Tones is one of my three or four favorite jazz LP’s), Hubbard was a forceful, exciting player with an amazing tone.  He will be sorely missed.

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Addendum to my top discoveries of ‘08

Writing yesterday’s post about new bands I “discovered” this past year (yes, the same way Columbus “discovered” America), I debated for a while whether or not to include some bands that weren’t exactly new to me, but that I really got into this year. Ultimately I decided not to include them, but to give them a separate post instead.  So here they are:

Aberdeen

Aberdeen

Aberdeen — I used to hear “Toy Tambourine” on KXLU back in the mid-90’s and really liked it, but I never picked up anything by the band. A few months ago I picked up a few of their early Sarah singles off eMusic, and have been really enjoying their British-influenced guitar jangle.  I wrote a bit about their first single hereMySpace.

Rocketship — This group had a couple songs on the Slumberland comp Why Popstars Can’t Dance that I absolutely loved (the comp was basically my intro to indie pop). I’d always intended to pick up their full-length A Certain Smile, a Certain Sadness, but never got around to it. Having finally picked it up — again, off eMusic — I absolutely love it. One of the cool things about those two Popstars tracks is that, while they’re both basically indie shoegaze, they were really different — “Your New Boyfriend” was awkward, lovelorn indie pop with shoegaze effects layered over it, while “Like A Dream” was a more hypnotic, heavy track that would have fit well on several of the classic early 90’s British shoegaze albums. A Certain Smile follows up on this diversity, swinging between noisy twee and sophisticated, spacey compositions.  MySpace.

Blonde Redhead

Blonde Redhead

Blonde Redhead — I actually used to play these guys occasionally on my college radio show in the late 90’s, but I never really thought of them as much other than a Sonic Youth knockoff (and I was never particularly into Sonic Youth). But I picked up 23 this year, and was knocked out by its mix of angular art rock and beautiful dream pop. You can see my review of the album hereMySpace.

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Post #100

Ulp, I just noticed that yesterday’s post was #100 on this blog.  Yay for me.

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My happiest discoveries of 2008

I don’t really feel qualified to do a “Best of” list for the year, because I simply haven’t listened to enough of the year’s new releases, not even enough of the new releases that I was planning to listen to.

That said, it was a pretty good year for me with regards to music, since — after a couple years of not paying all that much attention — I started to much more actively seek out new music, and found a lot of stuff that I’d been missing out on the past few years.  So, here’s an incomplete list of stuff that I really got into this year:

Swinging Popsicle

Swinging Popsicle

Swinging Popsicle — I’ve written so much about this Japanese indie pop band on this blog, I don’t really feel there’s much point in writing anything more right now.  But they’re definitely my favorite of the bands listed here.  MySpace.

Asobi Seksu — Another band I’ve written a lot about on this blog.  I’ve been listening to tons of shoegaze records this year, and Asobi Seksu is the best of the new wave of bands that I’ve heard.  MySpace.

Club 8

Club 8

Club 8 — A band I really should have checked out years ago, as their name pops up a lot in the same sentence as personal fave Saint Etienne.  Melancholy Swedish pop duo, who periodically augment their lush pop with elements of electronica, bossa nova, and 60’s pop.  MySpace.

Panda Riot — After stumbling on this band back in September, I finally picked up their debut album a few weeks ago, and it’s fantastic.  Another really great modern shoegaze band.  MySpace.

The Charade

The Charade

Luminous Orange – Although I have two solid albums by this Japanese shoegaze band, Luminous Orange is really on this list because of one song, ”Sakura Swirl”, an absolutely brilliant and hypnotic track full of mysterious glitchy electronic bleeps.  MySpace.

Piana — Minimalist, ethereal pop from Japan, with hints of electronica.  Absolutely beautiful.  MySpace.

The Charade — More Swedish guitar pop.  I wrote briefly about their great song “Monday Morning” here.  It’s still the best thing on the album, but the rest of the album is pretty great, too.  MySpace.

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Wow does commercial rock suck these days

Okay, I’ll confess:  I’m out of touch with what counts for popular music these days.  I pretty much gave up on commercial radio in the mid-90’s, so there are tons of recent hit songs that I’ve never heard.  Which might explain why I never heard Nickelback’s Top 10 hit “Rockstar” until I was having one of my infrequent sessions behind the wheel of a car this afternoon.

Wow, this song sucks.

The lyrics aren’t even a tenth as clever as they think they are, there’s no melody to speak of, and the production is dull and monotonous.  It’s hard for me to believe that a song this bad would make the cut for an album, much less be issued as a single (twice!).  No wonder the music industry is dying, if this is the best shit they can come up with.

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New music

I bought an extra 50 eMusic downloads for the holidays, which is why I’ve been picking up so much music lately.  A last couple downloads before Christmas …

Black Tambourine, Complete Recordings — Reading that Slumberland interview the other day prompted me to poke around and see what stuff from the label eMusic has available.  This is what I ended up getting, the (scant) complete recordings of early Slumberland band Black Tambourine.  Noisy, lo-fi indie pop with a heavy debt to early British shoegaze.

Lilys, The Lilys/Aspera Ad Astra – I only downloaded the four Lily songs off this eight song split EP.  Apparently recorded around the same time as Eccsame The Photon Band, my favorite Lilys album, and hopefully offering more of the same slow, dreamy pop music.

Complete Recordings

Complete Recordings

The Lilys - Aspera Ad Astra

The Lilys / Aspera Ad Astra

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cyclon86

Cyclon86Via Skatterbrain!, I stumbled on the MySpace page for Japanese pop band cyclon86 today.  I know nothing about these guys, but all three songs are great!  Happy pop music, with reverbed guitar, slightly spacey effects, and cute boy-girl harmonies.  I was looking for info on Rocketship so maybe that’s why the song “Distant Sky” in particular is reminding me a bit of that band?

They have a discography here, but it seems like everything is ten years old or so.  Apparently member Shokk is now playing in Bertoia as well as being a “supporting musician” for the wonderful one-woman band murmur.

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Slumberland

I’ve been really behind on my blog reading lately, but I wanted to belatedly throw out a pointer to this interview on the finest kiss with Mike Schulman of the  Slumberland Records, even though it’s almost a month old now.

Slumberland was the first indie pop record label I was ever really aware of, due to the excellent Why Popstars Can’t Dance comp, which my kid sister passed on to me in ‘94 or ‘95 (damn her for being cooler than me).  It was a big stepping stone towards indie pop for me, so I’m pretty stoked that they’ve started putting out records again.

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