Archive for June, 2009

Late review: The Church @ Slim’s, June 12, 2009

The ChurchI’ve been listening to the Church for twenty years — including a fairly fanatical period in the late 80’s and early 90’s — so it’s a little pathetic that this was my first time seeing them live.  Going in, I wasn’t sure what to expect:  on the one hand, it’s been twenty years since “Under The Milky Way”, the band’s lone Top 40 hit, and fifteen years since their last major label release.  On the other hand, they never stopped working or recording, and have produced a large body of good-to-great albums since then.  So I didn’t know if I was going to see a nostalgia act or a working band promoting their new album.

As it turned out, they opted for a middle route, drawing equally from both their classic 80’s run of albums (nine songs) and their more recent material (eight).  Oddly, twelve of the seventeen songs came off of just three albums — this year’s Untitled #23, 1988’s Starfish, and 1982’s The Blurred Crusade.  And sadly, there was nothing at all from their 90’s albums, not even 1992’s Priest = Aura, arguably their best album.  (Looking at the band’s setlists over the years here, it looks like the band radically changes their setlists from tour to tour, and it doesn’t appear that they have any particular grudge against the 90’s.)

Tour PosterThe set started with a muscular rendition of “Tantalized”, a big rocker off 1985’s Heyday.  By the time they got to Starfish’s “North, South, East and West” four songs in, it was clear that live, the band still liked to rock, no matter how cerebral and spacey their studio output has become.  The new material seemed to work well live, although I wasn’t very familiar with it — I’d only picked up Untitled #23 a week before the show and hadn’t really gotten to know the songs yet (although “Space Saviour”, which had made the strongest impression on me on the album due to an unusually forceful vocal by Steve Kilbey, also caught my ear live).  Likewise the two songs off 2006’s Uninvited, Like the Clouds — one of the gaps in my collection — sounded good if a bit indistinct, but it was hard to judge when they were sandwiched between songs that I’ve owned since I was 17 and have listened to hundreds of times.  The only other recent track in the set was actually the show’s highlight for me, a fantastic rendition of “After Everything” off 2002’s After Everything Now This(possibly my favorite Church album, and certainly in my Top 3).

The older material sounded good too, and the band seemed to be having fun (hmm, well I’m not sure about Peter Koppes, he looked pretty dour the whole show).  They obviously didn’t hit all my favorites from the era (it would have hardly been possible), but they hit enough of them:  “Almost With You”, “A Month Of Sundays”, the afore-mentioned “North, South, East, and West”.  I particularly appreciated the fact that Kilbey seemed to be giving the vocals his all and not goofing up or trivializing them, something you often see when a guy is singing a song that he’s played live a thousand times and is just sick to death of (he did tend to over-project in his singing at points, losing that pleasingly smooth, almost somnolent, quality that he gets on the records, but why quibble?).  I’d expected Kilbey to be much more spacey, based on a couple visits to his blog, but he was actually quite engaging and funny — though a fifteen minute delay caused by technical issues did stretch the banter to the breaking point.

Anyway:  awesome show, and it fills me with shame that I waited so long to see these guys.

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New Scandal single out in Japan today

The new single by all-girl Japanese rock band Scandal is out today.  The song is called “Shōjo S” and is an opening theme for the anime Bleach. There are several versions being released, a “normal” 3-track version and two “special edition” versions with different covers and track listings:

Normal Edition

Scandal

Scandal

  1. 少女S [Shōjo S] (3′11)
  2. ナツネイロ [Natsuneiro] (4′33)
  3. FUTURE (3′36)

Special Edition A

  1. 少女S (3′11)
  2. ナツネイロ (4′33)
  3. SO EASY (3′23)
  4. 少女S(Instrumental) (3′11)

Special Edition B

  1. 少女S (3′11)
  2. ナツネイロ (4′33)
  3. FUTURE (3′36)
  4. 少女S(Instrumental) (3′11)

To be honest, I don’t like this nearly as much as their last single, the fantastic “Sakura Goodbye”.  There’s a lot to like here — the sinewy guitar intro, the vocal interplay on the chorus, the subdued backing “oohs” on the second verse — but the pieces somehow don’t quite click together for me (though something about the chorus makes me suspect that there’s potential in there for a kick-ass dance remix).

Anyway, judge for yourself, here’s the video:

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(a) Slow Star, revisited

Cover of "Star Mine Gig"Pretty much my first ever blog post was about a then-new Swinging Popsicle track “(a) Slow Star”.  At the time I was frustrated that it seemed unlikely that I’d be able to get a copy of the song (at least not without buying a soundtrack to a game I otherwise had no interest in) , so I thought I should throw up a quick post to mention that you can finally got a copy of the song off JapanFiles.  Frustratingly, they don’t link to it off the Swinging Popsicle page, they only list it on the page for the aforementioned Sumaga soundtrack — and make sure you grab the 3 minute 24 second version from Sumaga Music Galaxy disc 3, not the shorter version off Star Mine Gig!

The song still sounds awesome, with a super catchy circular guitar lead and a driving beat.  On the most recent Swinging Popsicle albums, I’ve actually enjoyed their dabblings in electronic pop more than their straight guitar pop tracks, but this song is one of the best things I’ve ever heard from the band.  Thanks, JapanFiles!

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Doves @ The Fillmore, May 18, 2009

[A quick note: No, this blog isn't dead. It's not even technically on hiatus! But the fact that it's taken me three weeks to write this rather brief concert review pretty much explains why there hasn't been a post here in two months: sheer laziness.]

Doves @ Fillmore poster

It’s a little embarrassing to admit that this was my first Doves concert.  I’ve counted the band amongst my favorites since I picked up their first album, Lost Souls, back in 2001 (about a year after it came out), and they’ve come through town several times since then.  But I’ve always managed to miss them, thanks to then-girlfriends, overseas travel, and (ahem) not getting around to buying tickets before they sold out.  So it was great to finally see them after all this time.

To be honest, though, I was somewhat dubious of Doves as a live act.  The band’s origin as dance group Sub Sub, along with their meticulously constructed albums, suggested a group that was more comfortable laboring in a secluded studio, rather than a live band that knew how to put on a show.  But my fears were unfounded — not only did the band (supplemented by a keyboard player) do an impressive job of recreating the complexities of their recordings on stage,  but they showed a looseness and sense of fun that was entirely unexpected in a band whose records are usually so dour. How they managed to do both things at once — retain the songs’ epic scope while also investing them with a bit of ragged vitality — I have no idea, but it made for a great show.

Not surprisingly, tracks off the recent Kingdom of Rust dominated the set, starting off with the spectacular “Jetstream”.  About half the main set came off the album, and all the songs came off quite well. The rest of the set pulled off their other three albums, but sadly my personal favorite, Lost Souls, got the short end of the setlist: “Rise” showed up early, but that was it until the encore, when they played “Firesuite” and “Here It Comes” back-to-back.  The absence of “The Cedar Room” and “Catch The Sun” saddened me a fair bit, but obviously you can’t expect a band to play your nine year old favorites just because you couldn’t be bothered to catch them live in a more timely manner — and anyway I love Kingdom and wouldn’t have really minded if they just played the album end-to-end and called it a night.

Honestly, I can’t really think of anything to complain about from the show. They sounded great, I had a blast, and I hope they hit San Francisco again soon.

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