Posts Tagged Blonde Redhead

Addendum to my top discoveries of ‘08

Writing yesterday’s post about new bands I “discovered” this past year (yes, the same way Columbus “discovered” America), I debated for a while whether or not to include some bands that weren’t exactly new to me, but that I really got into this year. Ultimately I decided not to include them, but to give them a separate post instead.  So here they are:

Aberdeen

Aberdeen

Aberdeen — I used to hear “Toy Tambourine” on KXLU back in the mid-90’s and really liked it, but I never picked up anything by the band. A few months ago I picked up a few of their early Sarah singles off eMusic, and have been really enjoying their British-influenced guitar jangle.  I wrote a bit about their first single hereMySpace.

Rocketship — This group had a couple songs on the Slumberland comp Why Popstars Can’t Dance that I absolutely loved (the comp was basically my intro to indie pop). I’d always intended to pick up their full-length A Certain Smile, a Certain Sadness, but never got around to it. Having finally picked it up — again, off eMusic — I absolutely love it. One of the cool things about those two Popstars tracks is that, while they’re both basically indie shoegaze, they were really different — “Your New Boyfriend” was awkward, lovelorn indie pop with shoegaze effects layered over it, while “Like A Dream” was a more hypnotic, heavy track that would have fit well on several of the classic early 90’s British shoegaze albums. A Certain Smile follows up on this diversity, swinging between noisy twee and sophisticated, spacey compositions.  MySpace.

Blonde Redhead

Blonde Redhead

Blonde Redhead — I actually used to play these guys occasionally on my college radio show in the late 90’s, but I never really thought of them as much other than a Sonic Youth knockoff (and I was never particularly into Sonic Youth). But I picked up 23 this year, and was knocked out by its mix of angular art rock and beautiful dream pop. You can see my review of the album hereMySpace.

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23 by Blonde Redhead

23

23

Okay, this is hardly a new release, but I wasn’t blogging when Blonde Redhead’s 23 came out last year, and since I gave it a listen this morning and was bowled over all over again by how great it is, I thought maybe I’d write about it a bit.

I’ll confess that I don’t know a huge amount of Blonde Redhead’s music.  When I was doing college radio back in the late 90’s, I knew some guys who liked them a lot, and I played tracks from them from time-to-time myself.  I recall them sounding pretty much like Sonic Youth knock-offs, but if that was the case then, their abilities have developed quite a bit.

Which isn’t to say that Sonic Youth isn’t still an apt reference point.  They’re definitely still an art rock band, and the album ripples with tension.  But the band indulges their pop instincts now as well.  This contrast is embodied in singer Kazu Makino’s voice, which often verges on shrillness, but never quite crosses that line, instead coming across as both unearthly and alluring.

Opening track “23″ is all thundering drums and deep bass, with “Glider”-era My Bloody Valentine guitars layered on top.  The song walks a fine balance between art rock and pop, and does it magnificently, setting the stage for the rest of the album.  The album’s second highlight is “Silently”, whose slinky beat, ethereal harmonies, and poignant chorus make it the album’s pop centerpiece.  “Top Ranking”, the penultimate track, could almost be described as jangle pop if it wasn’t so apprehensive and creepy sounding.  And album closer “My Impure Hair” is haunting, beautiful dream pop, allowing the album to drift away at the end, in contrast to its thundering opening.

Those are the album’s highlights, but the rest of the material is fine as well. Amedeo Pace sings the bulk of the album’s middle section (“Silently”, somewhat oddly, is nestled between his three songs), and while his voice is a bit annoying, it fits the unsettling vibe of the material (the best of his songs is the propulsive “Spring And By Summer Fall”).  This album is really good.  I’m going to have to dig into the back catalog.

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