Posts Tagged my new music

New music

Some recent music acquisitions:

cerulean, Brighter/Still: I think this is what Buffalo Tom would have sounded like if they’d decided to record a shoegaze record.  Big droning guitars, but the singer’s gruff vocals gives the proceedings a sort of American alt-rock flavor.  The album doesn’t quite live up to the promise of the majestic instrumental opener “Cathedral City”, but it’s pretty good.

Travis, Ode to J. Smith: Travis’ most recent album, written and recorded on a rushed schedule which resulted in a much more vital, rocking sound than they’ve tried in a decade.  That said, my favorite song (so far) is “Song To Self”, which sounds much more typical of the band’s recent, anthemic output.

Asobi Seksu, Hush: Yeah, this album was a letdown, but I still figured I’d pick it up.  The best gauge of my disappointment:  I bought it digitally off eMusic, instead of buying a physical CD like I originally assumed I would.

Brighter/Still on Amazon.com

Brighter/Still

Ode To J. Smith on Amazon.com

Ode To J. Smith

Hush on Amazon.com

Hush

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Raise by Swervedriver

Raise by SwervedriverDespite being really into British shoegaze bands back in the early 90′s, I rarely had the money to buy full-length albums back then, and so I missed a lot of stuff that I knew was supposed to be awesome.  Case in point:  Swervedriver.  Although I’d heard a fair amount about them, the only thing I actually owned by them at the time was the four-song US-only Reel To Real EP.  Furthermore, whereas albums by other scene mainstays like Ride, Chapterhouse, and Slowdive were easy to find for five or six dollars by the end of the 90′s (which is actually how I filled out my library for those bands!), Swervedriver albums seemed quite rare in the used bins.

All of which is just backstory to explain why I’m so stoked that Second Motion has reissued Swervedriver’s first two albums, Raise and Mezcal Head.  I haven’t picked up the latter yet (I try not to over-saturate myself with too much music from a single band), but Raise is awesome.  What surprised me, though, is how much of a rock record it is, compared to the other seminal shoegazer albums of the era.  My Bloody Valentine and Slowdive records might have had loud guitars and pounding drums, but the bands were still largely working from a dream pop template.  But Swervedriver’s foundation wasn’t dream pop, it was swaggering, piss-off rock and roll, which they then layered loads of overamped guitars on top of.  There’s a galloping urgency to their music that none of the other scene mainstays had, and Swervedriver end up coming across as the scene’s clear heirs to the Jesus & Mary Chain.

On the other hand, they don’t feel nearly as cerebral or spacey as their contemporaries, and in a way I’m surprised that they were pegged as a shoegaze band at all — sure, there are some sweeping guitarscapes here, but they’re put to an entirely different purpose, and if I was listening to Raise without knowing who it was, I’m not sure I would have initially categorized it as a shoegaze album (a noisy alt-rock record, perhaps?).

Regardless, the album rocks, and is highly recommended.  My only actual complaint about the reissue is that, with four bonus tracks tacked on, the CD still only clocks in at about an hour — so why not pad it out with three or four more songs?  The band put out a slew of EPs and singles around the time Raise came out, so there’s no shortage of material — and speaking for myself, I would have loved it if they had included the other two tracks off Reel To Real, “Scrawl & Scream” and an excellent cover of the Velvet Underground’s “Jesus”.

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My “new” music — old song edition

Recently I went on a buying spree of songs that I used to have on CD, but got rid of at some point or another (as usual, ruthlessly trimming the CD collection):

Blur, “Tender”, “Coffee & TV”, “Music Is My Radar” The first two are my favorite tracks off 13, my least favorite Blur album.  The last is the only song here I’ve never heard before, the (then) new track off their greatest hits collection.

New Order, “Regret” One of New Order’s poppiest singles, but also a long-time favorite of mine.  I always said they should have more guitar in their songs.

New Order, “Ceremony” Actually I bought both recorded versions of “Ceremony”, because I bought the original version (which had a more Joy Division-like sound) by mistake first, when it was the 12″ version that I was looking for.

Kasabian, “L.S.F.”, “Test Transmission” My two favorite tracks off their debut album.

Underworld, “Born Slippy Nuxx” Terribly overplayed thanks to Trainspotting, but I still love this song.  There’s a terribly melancholy, detached feel to it which contrasts brilliantly with the intensity of the driving beats.

Snow Patrol, “Run” Although Snow Patrol has always seemed like the type of band that I’d like, I’ve never gotten that into them — with the exception of this song.

My Bloody Valentine, Glider EP My original introduction to shoegaze, picked up used for 99¢ my freshman year in college.  It wasn’t nearly as great as the follow-up Tremolo EP (to say nothing of the peerless Loveless), so I eventually sold this off, but it’ll be nice to have a digital copy around when I’m in the mood.

Swervedriver, “She Weaves A Tender Trap” Off Swervedriver’s fourth and final album, 99th Dream.  Landing halfway between shoegaze and anthemic Britpop, the album was actually not nearly as good as it should have been.  But this song is absolutely top notch.

13 on Amazon.com

13

The Best Of Blur on Amazon.com

The Best Of Blur

Singles on Amazon.com

Singles

Substance on Amazon.com

Substance

Kasabian on Amazon.com

Kasabian

1992-2002 on Amazon.com

1992-2002

Final Straw on Amazon.com

Final Straw

Glider on Amazon.com

Glider

99th Dream on Amazon.com

99th Dream

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New Music

Some stuff I’ve picked up recently:

Slowdive, Morningrise An early Slowdive EP.  eMusic was worthing signing up for if only to pick up all the early shoegaze albums and EP’s that they have (they just added the first two Swervedriver albums, too).

My Little Airport, Zoo Is Sad, People Are Cruel Catchy, delightful indie pop from Hong Kong.  Really great.

Longwave, Life of the Party I would’ve sworn this EP, with its seeming hodge-podge of tracks, was a promotional disc for the band’s second RCA album, There’s A Fire, but it turns out it that it came out a full year earlier.  Two songs off Fire appear here, the punkish “We’re Not Going To Crack” and an alternate (inferior) acoustic take of “There’s A Fire”.  The EP’s title track may be the oddest thing I’ve ever heard by the band.

Morningrise

Morningrise

Zoo Is Crowded, People Are Cruel

Zoo Is Sad, People Are Cruel

Life Of The Party

Life Of The Party

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New Music

Another rundown on recent music I’ve picked up.  This edition is all about shoegaze, old and new.  I’ve been listening to a lot of shoegaze lately.

Asobi Seksu, “Me & Mary” The lead single off Asobi Seksu’s forthcoming album came out in November.  I picked up the b-side, “Breathe Into Glass”, back then, but I was going to hold off on the A-side since it’s on the album too.  But … well, I didn’t.

Lush, Gala Gala collected Lush’s first three EP’s, Scar, Mad Love, and Sweetness and Light, along with a couple then-new songs.  I had this on cassette back in the early 90′s, and liked it much more than their first full-length, Spooky.  I actually downloaded several songs off this when I first signed up with eMusic back in September, so I decided to buy the rest of the album.

Lush, “Monochrome” The final track off the aforementioned Spooky, and my favorite.  eMusic’s copy was actually off the best-of comp Ciao!.

Amusement Parks On Fire, s/t Supposedly composed and recorded solo by Michael Feerick before his 20th birthday, this impressive 2005 shoegaze record has a rather muscular, emotionally direct sound, at times hinting at mid-90′s American alt-rock.

Me & Mary

Me & Mary

Gala

Gala

Spooky

Spooky

Amusement Parks On Fire

Amusement Parks On Fire

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My first new music for 2009: Shibuya Kei

My first music pickups of the year are all about Shibuya-Kei, the ultra-hip 90′s Japanese music scene that blended lounge, electronica, jazz, and French pop into a bizarre, often manic, but very cool mix.  This is all stuff off eMusic from various compilations on Bungalow Records.

From Sushi 3003:

Calin with Fantastic Plastic Machine, “Samba de Minha Namorandinho” Sped up cartoon samba.  Fantastic Plastic Machine often ends up being too electronic and/or kitschy (at the expense of melody and catchiness) for my taste, but this song is really great.

Mari, “My Favorite Things” I always mistake this for a Pizzicato Five track.  Low-key lounge music with plucked guitars hinting at bossa nova and accordion accents hinting at French cafes.

Havanna Exotica, “Surfin’ On M.O.O.G.” This song also reminds me of P5 a bit (mostly because of the vocals).  A very slow song, with a subtle unresolved tension to it that keeps it from being laid-back.

Hiroshi Takano, “Aikawarazusa Now this is laid back:  samba for listening to at the beach.

K-Taro, “Sweden, Heaven & Hell” This is about as far into the kitschy side of these comps that I’m willing to go.  Meaningless mutterings over bi-biii-bi female backing vocals and cartoon noises.

Chiharu Iwamoto, “Kiss” Whispered vocals, a smooth jazz backgdrop, and vaguely syncopated percussion break into loony, 60′s style keyboard breaks.  Manages to sound both sophisticated and rather manic.

From Sushi 4004:

Hi-Posi, “You Are My Music” I always think this song is by Kahimi Karie, because it has similar girlish singing and kitchen sink kitsch production.  All of which, of course, is great!

Yukari Fresh, “Yukarin’ Disco” A hyperactive dance cut with squeaky vocals.

From Escalator Records, Tokyo:

Yukari Fresh, “Paul Scholes”, “Raymond (Erobique Mix)”, “Yukarimpic 1/2/3″, and “Michael Owen” I’ve never heard any of these tracks before, but “Yukarin’ Disco” was always a favorite off Sushi 4004, so I’m assuming it’ll be more Yukari nuttiness.

I should note that eMusic doesn’t have any of the tracks from the Sushi comps by Pizicatto Five, Cornelius, Takako Minekawa, and Kahimi Karie, the scene’s most visible artists (at least in the States).  Too bad, as I’d particularly like to get a copy of P5′s “Nata Di Marzo”, Karie’s “Alcohol”, and especially Minekawa’s “Fantastic Cat”.

Anyway, I went looking for these files because I used to own the two Sushi compilations (I tend to rather mercilessly purge my CD collection from time-to-time),and wanted to put my favorite tracks on my new MP3 player at a higher bitrate than the 128 kbps that I had on my Nomad.  I do recommend those two Sushi CD’s for anyone looking to get an overview of Shibuya-Kei, because it provides a great introduction to the scene, and has great liner notes to boot.  (I’ve never heard the Escalator comp, beyond the Yukari Fresh tracks, so I can’t comment on that one, but Escalator Records — recently dead, I’m told — was apparently a key label in the scene.)

Sushi 3003

Sushi 3003

Sushi 4004

Sushi 4004

Escalator Records, Tokyo

Escalator Records, Tokyo

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One last batch of new music from ’08, Part 2

Following up on yesterday’s post, here’s the last of couple things I picked up in ’08:

The Replacements, Pleased to Meet Me I wrote a couple posts about the reissues Rhino and Ryko were putting out of the Replacements Sire catalog, in anticipation of their late September release, but then due to various bullshit didn’t end up picking any of them up.  I got this one for Christmas, though — Pleased To Meet Me was always my favorite ‘Mats album anyway.  So far the bonus material hasn’t really caught my ear (except “P.O. Box” a.k.a. “Photo”, which I’d heard off bootlegs before), but I haven’t really listened to it much yet.

cargo, Morning Star Although this blog has been devoted almost exclusively to guitar pop, I actually have developed a sweet tooth for silly dance pop over the past decade (I blame it entirely on Saint Etienne, my gateway drug).  I stumbled onto this Japanese dance pop group on JapanFiles the other night, and while again I haven’t had much of a chance to listen to it, lead track “For The Light”, at least, is great upbeat disco pop.

Pleased To Meet Me

Pleased To Meet Me

Morning Star

Morning Star

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One last batch of new music from ’08, Part 1

Wrapping up the last of my music purchases from ’08, in two parts to keep things a little more coherent. This post will stick to the indie pop, as the indie pop buying spree that started before Christmas lasted a bit after the holiday.  I like my indie pop in small doses, so most of these are singles and EPs:

Bricolage, “Footsteps” b/w “Night Falls With Vertigo” I know nothing about this band, except that they sound a lot like Orange Juice, and I think they’re from Scotland.

Lorelei, Asleep EP I know Lorelei from a handful of cuts spread between the Why Popstars Can’t Dance and One Last Kiss compilations in the mid-90′s.  This 1993 EP is more of the same, noisy shoegaze-influenced indie pop.

Heavenly, P.U.N.K. Girl Collects two early (1994?) singles by the classic noisy pop band.

Marine Research, Sounds from the Gulf Stream Heavenly transformed into this band after the suicide of Mathew Fletcher.  As with every time this gang changes names (which is a fair bit), there’s no radical departure in sound, just some progression in sophistication of craft.

The Pains Of Being Pure At Heart, The Pains of Being Pure at Heart EP Another band I know basically nothing about, but this 2007 EP sounds pretty good.  Noisy, jangly guitar pop.  So far my favorite thing here.

Footsteps

Footsteps

Asleep EP

Asleep EP

P.U.N.K. Girl

P.U.N.K. Girl

Sounds From The Gulf Stream

Sounds From The Gulf Stream

The Pains Of Being Pure At Heart EP

The Pains Of Being Pure At Heart EP

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New music

I bought an extra 50 eMusic downloads for the holidays, which is why I’ve been picking up so much music lately.  A last couple downloads before Christmas …

Black Tambourine, Complete Recordings — Reading that Slumberland interview the other day prompted me to poke around and see what stuff from the label eMusic has available.  This is what I ended up getting, the (scant) complete recordings of early Slumberland band Black Tambourine.  Noisy, lo-fi indie pop with a heavy debt to early British shoegaze.

Lilys, The Lilys/Aspera Ad Astra – I only downloaded the four Lily songs off this eight song split EP.  Apparently recorded around the same time as Eccsame The Photon Band, my favorite Lilys album, and hopefully offering more of the same slow, dreamy pop music.

Complete Recordings

Complete Recordings

The Lilys - Aspera Ad Astra

The Lilys / Aspera Ad Astra

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Some more new music

After I wrote yesterday’s post, I ended up downloading some more stuff:

The Church, El Momento Descuidado — Though they’ve only been mentioned in passing on this blog, I was a huge Church fan in my late teens (they were pretty much my Beatles until I belatedly got into the Beatles in the mid-90′s), and I’ve generally kept up with them since.  This 2005 release contains acoustic re-recordings of nine songs from their back catalog (ranging their entire career, from “The Unguarded Moment” to “Chromium”) and five new ones.  I have a hard time believing that they could improve on the original version of “Almost With You”, but I’m willing to give it a shot.

Popsicle, Template Not to be confused with Ack Phhht! fave  Swinging Popsicle, I was just sort of poking around eMusic looking at 90′s Swedish indie rock bands, and this is what I ended up downloading.  I really know nothing about this band, or this 1992 mini-album.

Slowdive, “In Mind” — Off the 5EP.  My copy of Souvlaki contains three of the four tracks off this EP, so I thought I’d pick up the missing one.

Panda Riot, She Dares All Things – I wrote a bit about this indie shoegaze band back here when I first stumbled onto them.  I’d been trying to find their album on CD, but I’ve given up and bought the MP3 version from Amazon.

El Momento Descuidado

El Momento Descuidado

Template

Template

5EP

5EP

She Dares All Things

She Dares All Things

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