My first music pickups of the year are all about Shibuya-Kei, the ultra-hip 90′s Japanese music scene that blended lounge, electronica, jazz, and French pop into a bizarre, often manic, but very cool mix. This is all stuff off eMusic from various compilations on Bungalow Records.
From Sushi 3003
:
Calin with Fantastic Plastic Machine, “Samba de Minha Namorandinho”
– Sped up cartoon samba. Fantastic Plastic Machine often ends up being too electronic and/or kitschy (at the expense of melody and catchiness) for my taste, but this song is really great.
Mari, “My Favorite Things”
– I always mistake this for a Pizzicato Five track. Low-key lounge music with plucked guitars hinting at bossa nova and accordion accents hinting at French cafes.
Havanna Exotica, “Surfin’ On M.O.O.G.”
– This song also reminds me of P5 a bit (mostly because of the vocals). A very slow song, with a subtle unresolved tension to it that keeps it from being laid-back.
Hiroshi Takano, “Aikawarazusa
– Now this is laid back: samba for listening to at the beach.
K-Taro, “Sweden, Heaven & Hell”
– This is about as far into the kitschy side of these comps that I’m willing to go. Meaningless mutterings over bi-biii-bi female backing vocals and cartoon noises.
Chiharu Iwamoto, “Kiss”
– Whispered vocals, a smooth jazz backgdrop, and vaguely syncopated percussion break into loony, 60′s style keyboard breaks. Manages to sound both sophisticated and rather manic.
From Sushi 4004:
Hi-Posi, “You Are My Music”
– I always think this song is by Kahimi Karie, because it has similar girlish singing and kitchen sink kitsch production. All of which, of course, is great!
Yukari Fresh, “Yukarin’ Disco”
– A hyperactive dance cut with squeaky vocals.
From Escalator Records, Tokyo:
Yukari Fresh, “Paul Scholes”, “Raymond (Erobique Mix)”, “Yukarimpic 1/2/3″, and “Michael Owen” – I’ve never heard any of these tracks before, but “Yukarin’ Disco” was always a favorite off Sushi 4004, so I’m assuming it’ll be more Yukari nuttiness.
I should note that eMusic doesn’t have any of the tracks from the Sushi comps by Pizicatto Five, Cornelius, Takako Minekawa, and Kahimi Karie, the scene’s most visible artists (at least in the States). Too bad, as I’d particularly like to get a copy of P5′s “Nata Di Marzo”, Karie’s “Alcohol”, and especially Minekawa’s “Fantastic Cat”.
Anyway, I went looking for these files because I used to own the two Sushi compilations (I tend to rather mercilessly purge my CD collection from time-to-time),and wanted to put my favorite tracks on my new MP3 player at a higher bitrate than the 128 kbps that I had on my Nomad. I do recommend those two Sushi CD’s for anyone looking to get an overview of Shibuya-Kei, because it provides a great introduction to the scene, and has great liner notes to boot. (I’ve never heard the Escalator comp, beyond the Yukari Fresh tracks, so I can’t comment on that one, but Escalator Records — recently dead, I’m told — was apparently a key label in the scene.)

Sushi 3003

Sushi 4004

Escalator Records, Tokyo