Posts Tagged Swinging Popsicle

Loud Cut

Loud CutI was surprised last week to find out that Swinging Popsicle has a new album out, called Loud Cut.  It appears to be not so much a proper album as a hodge-podge of random cuts:  video game themes, a cover or two, a few tracks off previous albums.  Perhaps as a result of this, it doesn’t hold together as well as it could, but there’s still some good stuff here.

Bassist Hironobu Hirata was in charge of the background music to the video game Sumaga, and a lot of the material here originates from that project.  Album openers “Perfect Loop” and “(a) SLOW STAR” were both theme songs to the game, and three other songs (“Meet U”, “UN-K.O. ~Our Day Will Come~”, and “Good Time”) are vocal versions of background music tracks from the game.  I wouldn’t be surprised if some of the other stuff here is also from Sumaga (I don’t have the game or its soundtracks);  certainly, the creepy instrumental “Tragedy In Your Brain” sounds like a video game background track.

Beyond the soundtrack stuff, there’s also an Auroranote cover (“Seijyaku to Ryuusei”), two tracks apiece from the last two Popsicle albums (Transit and Go On), and two of the bands’ early b-sides, apparently re-recorded (I’ve never heard the original versions, but Georide marks both セルフカバー, “self-cover”).  If you’re keeping track, that accounts for thirteen of the albums’ fourteen tracks — the fourteenth, “Kururi Sakura Hirari”, is listed as “Swinging Popsicle Ver.”, so maybe it’s a cover too?

There’s nothing wrong with odds-and-ends compilations, of course.  The four Transit and Go On tracks at the end of the album seem like bizarre padding, but if you disregard them, you still have a 10-song mini-album, and a not bad one at that.  Certainly, I’ve raved about “(a) SLOW STAR” before, and “Perfect Loop” is quite good too, continuing the band’s recent experiments adding subtle electronic elements to their music.  “UN-K.O.” is also quite good, a big guitar song that comes up a bit short in the chorus department, but still rocks.  Those are the main highlights, but the pleasant samba cut “Good Time”, the mid-tempo “Kururi Sakura Hirari”, and the Auroranote cover are all pretty good too.  The low points are the rather pointless “Tragedy In Your Brain” and the overly dramatic piano ballad “Let Me Fly”.

At any rate, this album hardly supplants Go On as my go-to Swinging Popsicle album (despite the inclusion of that album’s brilliant title track), but it’s not a bad record to have around, particularly for the first six tracks.  I’d say it’s not worth the import price for the physical CD, but for $10 off JapanFiles for the MP3, it’s well worth it.

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(a) Slow Star, revisited

Cover of "Star Mine Gig"Pretty much my first ever blog post was about a then-new Swinging Popsicle track “(a) Slow Star”.  At the time I was frustrated that it seemed unlikely that I’d be able to get a copy of the song (at least not without buying a soundtrack to a game I otherwise had no interest in) , so I thought I should throw up a quick post to mention that you can finally got a copy of the song off JapanFiles.  Frustratingly, they don’t link to it off the Swinging Popsicle page, they only list it on the page for the aforementioned Sumaga soundtrack — and make sure you grab the 3 minute 24 second version from Sumaga Music Galaxy disc 3, not the shorter version off Star Mine Gig!

The song still sounds awesome, with a super catchy circular guitar lead and a driving beat.  On the most recent Swinging Popsicle albums, I’ve actually enjoyed their dabblings in electronic pop more than their straight guitar pop tracks, but this song is one of the best things I’ve ever heard from the band.  Thanks, JapanFiles!

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My happiest discoveries of 2008

I don’t really feel qualified to do a “Best of” list for the year, because I simply haven’t listened to enough of the year’s new releases, not even enough of the new releases that I was planning to listen to.

That said, it was a pretty good year for me with regards to music, since — after a couple years of not paying all that much attention — I started to much more actively seek out new music, and found a lot of stuff that I’d been missing out on the past few years.  So, here’s an incomplete list of stuff that I really got into this year:

Swinging Popsicle

Swinging Popsicle

Swinging Popsicle — I’ve written so much about this Japanese indie pop band on this blog, I don’t really feel there’s much point in writing anything more right now.  But they’re definitely my favorite of the bands listed here.  MySpace.

Asobi Seksu — Another band I’ve written a lot about on this blog.  I’ve been listening to tons of shoegaze records this year, and Asobi Seksu is the best of the new wave of bands that I’ve heard.  MySpace.

Club 8

Club 8

Club 8 — A band I really should have checked out years ago, as their name pops up a lot in the same sentence as personal fave Saint Etienne.  Melancholy Swedish pop duo, who periodically augment their lush pop with elements of electronica, bossa nova, and 60’s pop.  MySpace.

Panda Riot — After stumbling on this band back in September, I finally picked up their debut album a few weeks ago, and it’s fantastic.  Another really great modern shoegaze band.  MySpace.

The Charade

The Charade

Luminous Orange – Although I have two solid albums by this Japanese shoegaze band, Luminous Orange is really on this list because of one song, ”Sakura Swirl”, an absolutely brilliant and hypnotic track full of mysterious glitchy electronic bleeps.  MySpace.

Piana — Minimalist, ethereal pop from Japan, with hints of electronica.  Absolutely beautiful.  MySpace.

The Charade — More Swedish guitar pop.  I wrote briefly about their great song “Monday Morning” here.  It’s still the best thing on the album, but the rest of the album is pretty great, too.  MySpace.

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Swinging of Eden by Swinging Popsicle

I mentioned a few days ago that, of all the CD’s I bought on my Tokyo record shopping trip, the one that I was most excited about was Swinging Of Eden [TOKYO STYLE], by Swinging Popsicle.  There’s no mystery to that – in the year since I first discovered them, the Japanese indie pop trio have become one of my favorite bands.

One of the things I like about them is that I never know quite what I’m going to get with one of their releases — they’ve recorded everything from spiky guitar pop to retro-60’s soul to dance pop.  Whatever they try, they seem to always do it well.

Running at about 35 minutes with nine tracks, Swinging Of Eden turns out to be a collection of lush, pastoral pop songs.  What it really reminds me of, weirdly, is my other favorite (currently recording) band, Saint Etienne — specifically the chilly electronic soundscapes of Sound Of Water, though the bouncy retro-60’s pop of “Appleholic” would have fit perfectly on Good Humour. This isn’t a bad thing — the songs are all wonderful, catchy, low-key pop music, with dense, detailed production.

Highlights include singer Fujishima Mineoko’s cooing vocals on “Kitty’s Affair”, the aforementioned mod pop of “Appleholic”, and the mournful “Eve’s Love”.  “Room Service” is built on a gently swinging electronic percussion rhythm, and features vocals by guitarist Shimada Osamu, singing a call-and-response duet with Fujishima.  Four minutes in, the song unexpectedly descends into a pop-psychedelic sound collage, giving it a very Beatlesque feel (the band would do something similar five years later with the title track of their 2007 album Go On).  Less successful is a cover of the Beach Boys’ “God Only Knows”, largely stripped down to an acoustic guitar and voice, with little attempt to recreate the lush vocal arrangements of the original.  It’s grown on me a fair bit since my first listen, but it still falls far short of the amazing original.

The album is well sequenced, bookended by vaguely ambient instrumentals and featuring another instrumental, “Kona Coast” (which follows “God Only Knows” and hints at surf music itself), as its centerpiece.  The songs flow easily between one another, and despite the mini-album’s relative brevity, it feels very well-rounded and complete.  Well worth my ¥2100.

(Well, one review down, on my ten to go …)

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My Japanese CD haul

Doing my part to help keep Japan's struggling economy afloat

I mentioned my CD shopping trip in Japan yesterday.  Here’s the full list of what I bought.  Some of this stuff is by bands that I know pretty well, and some of it is by bands I hardly know at all.  I think Tornado Tatsumaki and Kitchen Gorilla are the only two bands that I haven’t heard anything by, though.

This list is in totally random order, by the way.

  • Spangle call Lilli line, Nanae :  The only album I’ve heard by this band is their new one, Isolation (and that one only once so far), but I hear about them a lot.
  • advantage Lucy, Station :  An early-ish (2000?) album.
  • Tornado Tatsumaki, One Night Robot Kicks The Rock :  I know nothing about this band except that Ken M of Japan Live named as part of his “alternative pop Trinity” along with Spangle call Lilli line and advantage Lucy.  (Actually that’s a lot of the reason I picked up the Spangle CD too.)
  • The Kitchen Gorilla, Soup :  Another Japan Live recommendation, from his best of 2007 list.
  • capsule, L.D.K. Lounge Designers Killer :  And yet another Japan Live rec!  What I’ve heard by this band has been all over the place, so I’m curious to hear what a full album sounds like.
  • Mix Market, Shiawase no Elephant :  I already own their earlier album Chronicle, which I got from JapanFiles.  Fun Japanese pop-punk.
  • Macdonald Duck Eclair, The Genesis Songbook :  Another JapanFiles discovery, I love their EP Many Many Sweets.  That one’s weird hyper blippy pop music, sung partially in French.  I imagine this will be largely the same.
  • Pop Chocolat, リズマ (Rhythm) :  Probably the purchase I’m second most excited about out of this lot, I had the song “Sayonara no Hi” stuck in my head for half the trip (until I heard a half hour of Perfume tracks at the Tower in Akihabara, at which point I had Perfume stuck in my head for days).
  • advantage Lucy, Have A Good Journey – the best of advantage Lucy 1996-2000 : This was actually the advantage Lucy CD I was really looking for, since pretty much everything I own by the band came out more recently.  I didn’t find it on the first day of CD shopping, though, so I bought Station that day – kind of a bummer, since the two CD’s share four or five tracks.
  • Swinging Popsicle, Swinging of Eden [Tokyo Style] : I love this band, and was hoping to find more stuff by them, but this mini-album was the only one I didn’t already have (mind you, I think I visited a grand total of four stores).  Definitely the album I’m most excited about here.
  • Waffles, Cinematic : I love what I’ve heard off this band’s MySpace page, so I’m looking forward to this.

Whew!  That’s really way too much music.  I actually don’t like to buy this much at once, as it almost guarantees that a few things will slip through the cracks, and not get enough listening time. And I was actually already swimming in new music before I left, having downloaded a bunch of stuff off eMusic and JapanFiles to listen to on the plane flight out.  But it’s not like I visit Shibuya every day, either.

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Swinging Popsicle’s Change EP

Change E.P.

Change E.P.

I’ve written before about Swinging Popsicle, one of my favorite Japanese indie rock bands. The first thing I ever bought from them was the Change EP, and it’s still one of my favorites (my other fave is last year’s great Go on). Released in 2001, the band had already been around for a few years and had refined their songwriting somewhat, but still possessed a rawer, live sound that is a bit surprising compared to the more polished studio work they do today.

Lead-off track “Change” is a wonderful piece of noisy guitar pop, played at a frantic, almost punky pace. The next track, “Juliana”, alternates between minor-key acoustic verses and a pounding chorus. My favorite is track three, “Outerspace”, which marries distorted shoegazer guitars to a more traditional pop song structure. Mineko Fujishima’s vocals can be thin, but here it works in the song’s favor, offering a sweet counterpart to the charging, overamped guitar. The EP closes with “Falldown”, a nice mid-tempo ballad, slowing things down after the fast pace of the first three tracks.

“Juliana” and “Outerspace” are both streaming from their MySpace page, and you can buy the tracks from JapanFiles (I’ve also seen listings for an import CD that combines this single with the 60’s soul inspired “Orange”/”Toi” single – also available on JapanFiles – and two other songs I don’t know).

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A bit more information on Swinging Popsicle’s “(a) Slow Star”

It belatedly occurred to me that, if I was frustrated by the fact that the only information about Swinging Popsicle’s new song, “(a) Slow Star”, was in Japanese, then maybe I should ask my Japanese wife to translate it for me.

"Star Mine Gig" CoverVia Swinging Popsicle bassist Hironobu Hirata’s blog, we picked up a bit more information about the song. It’s from a forthcoming mini-album called Star Mine Gig, apparently a soundtrack for a game called Sumaga. The CD comes out in Japan on August 29th, and features eight tracks. I believe three of the tracks are actually just dialogue snippets from the game. The other four tracks are by Rio, Qube, The Spin, and Ken DZI Otsuki.

The bulk of the blog entry is actually about Hirata’s work on the background music for the game, which he’s apparently in charge of. I’m not really much into soundtracks of any sort, so I’m hoping that Japanfiles will end up with a copy of “(a) Slow Star”. I like the song quite a bit.

Thanks to Chihiro for her help on this post! ありがとうございました。

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New Swinging Popsicle!

Despite the stupid stupid name, I absolutely adore Japanese indie pop band Swinging Popsicle (whom I first heard about from the sadly now-dormant Story Of A Charmless Man). Maybe I’ll even write a real blog post about them some day. For now, though, I’m excited to find that they have a brand-new song on their MySpace page called “(a) Slow Star”. Very good! When can I get my hands on a copy?

If you’re checking out the band for the first time, I also recommend the track “Outerspace” (also streaming on their MySpace page), full of spacey shoegaze guitars.

UPDATE: I have a bit more information about the song here.

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